|
|
 |
|
|
 |
|
Arnaldo Augusto Nora Antunes Filho is born on September, 2nd, in São Paulo, SP, Brazil, son of Arnaldo Augusto Nora Antunes and Dora Leme Ferreira Antunes. Arnaldo is the fourth of seven children, his brothers and sisters are Álvaro, Maria Augusta (Uche), José Leopoldo (Léo), Cira, Sandra and Maria Renata.
|
|
|
|
 |
 |
 |
|
|
|
|
|
|
|
He starts studying at Luis de Camões, where he continues his studies until secondary school. • His favorite soccer team is Santos Futebol Club (until today).
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He moves to an application high school belonging to the Catholic University (PUC) SP, São Domingos, in the area of Perdizes. He starts to enjoy going to school and to feel interested about artistic languages in general. He starts drawing and writing his first poems.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He goes to Equipe high school, which develops a strong work on art-education. Serginho Groissman is at the head of the musical projects of the Equipe Cultural Center, which brings performances of artists such as Nelson Cavaquinho, Cartola, Clementina de Jesus, Caetano Veloso, Gilberto Gil, among others. o At Equipe, Arnaldo has cinema classes, and he creates Temporal (Storm), a super-8 fiction, which lasts 40 minutes. He meets Branco Mello, Sérgio Britto, Paulo Miklos, Ciro Pessoa, Nando Reis and Marcelo Fromer, who also studied at Equipe. o He starts composing with them frequently, and they all study in the same classroom. From the band Titãs, only Bellotto and Charles dindn’t study at Equipe. o From the 2nd to the 3rd year of high school he publishes the novel CAMALEÃO (CHAMELEON), printed at school.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He starts studying languages at the University of São Paulo (USP).
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The family moves to Rio de Janeiro, and Arnaldo goes along with them, transferring his school studies to the Catholic University (PUC), Rio de Janeiro. • He creates, with a cinema group from college, the experimental super-8 film Jimi Gogh, with 15 minutes, with pictures by Van Gogh and music by Jimi Hendrix.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
His parents continue living in Rio, but Arnaldo decides to come back to São Paulo, where he moves along with Go, his first wife, with whom he remains married for seven years. • For about two years, they live in the house of the artist José Roberto Aguilar, with whom they create several performances, up to the creation of the Banda Performática [Performatic Band]. They perform their shows in several events at the Museum of Modern Art (MAM, RJ), Pinacoteca do Estado (SP), Cooperativa dos Artistas Plásticos de São Paulo SP, Galeria São Paulo (SP), Teatro da Fundação Getúlio Vargas (SP), Paulicéia Desvairada (SP), Parque Lage (RJ), among others. During the performances, Arnaldo, with a suitcase full of objects, sings, plays the percussion and invents nonsensical situations, such as combing long-plays, beating pans or throwing books upwards. • He writes and produces along with Go, manually, small books printed in xerox: A FLECHA TEM SÓ UMA CHANCE [THE ARROW HAS BUT ONE CHANCE], and DEU NA CABEÇA DE ALGUÉM UMA ÁRVORE, UM PIANO E MUITAS GALINHAS [A TREE, A PIANO AND MANY HENS HAS COME INTO SOMEONE’S HEAD]. • Along with Beto Borges and Sergio Papi, he publishes the magazine Almanak 80. • He intensely composes with Paulo Miklos, who also belongs to the Performatic Band. They both enroll the song Desenho [Drawing] at Vila Madalena’s Second Festival. With another partnership along with Paulo, A menor estrela [The smallest star], Arnaldo is awarded with the prize of best lyrics at the FAAP Music Festival.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Along with Beto Borges, Sergio Papi and Nuno Ramos he publishes the magazine Kataloki (Almanak 81). • Arnaldo and Paulo Miklos call the Trio Mamão, formed by Toni Belloto, Branco Mello and Marcelo Fromer, more Nuno Ramos, Sérgio Britto, Ciro Pessoa, Fausto Fawcett and others to participate in the recording of the Fita das musas [Muse tape], which was released at the Third World Bar in São Paulo. • He participates in the videos Kataloki, created by Walter Silveira especially for the releasing of the magazine, and Sonho e contra-sonho de uma cidade [Dream and counter-dream of a city], by Aguilar. • He sings at the event A idade da pedra jovem [The age of the young rock], at Mário de Andrade library, a show which stands as the beginning of the formation Arnaldo, Sérgio Britto, Paulo Miklos, Marcelo Fromer, Nando Reis, Ciro Pessoa and Tony Bellotto, among others, on the same stage.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Titãs do Ieiê [Ieiê Titans] perform together for the first time, at the Lira Paulistana Theater and at Sesc Pompéia, in São Paulo, with nine members: Arnaldo (vocals), Paulo Miklos (vocals and sax), Sérgio Britto (vocals and keys), Branco Mello (vocals), Nando Reis (bass and vocals), Ciro Pessoa (vocals), Marcelo Fromer and Tony Bellotto (guitars) and André Jung (drums). • The group follows for two years performing in places such as Napalm, Rose Bombom, Madam Satan, Radar Tantan, Circo Voador [The Flying Circus RJ], among others. They show at TV programs such as Fábrica do Som [The sound factory] and Paulicéia Desvairada [Crazy São Paulo]. • Aguilar e Banda Performática [Aguilar and the Performatic Band] record their first album, by the independent producer Neon Fonográfica. Arnaldo continues writing and composing. • Arnaldo and Go create the exhibition Caligrafias [Calligraphies], at the Galeria Cultura, in São Paulo, where they present, at the opening, the performatic opera A Espada sinfônica [The symphonic sword], with several guests. They also create performances at the Pinacoteca do Estado, Defeitos cônicos [Conic defects], at the Livraria Belas Artes, Noite de performance: epicaligráfica [Performance night: epicalligraphic], at the Sesc Pompéia Robôs efêmeros [Ephemeral robots], among others. • Along with Go, Paulo Miklos and Nuno Ramos, Arnaldo creates the group Os intocáveis [The untouchables], which plays at the theater Lira Paulistana and with which he shows, for the first time, the song Bichos escrotos [Nasty animals], with a special participation of Nando Reis. • This year, for the first time, Arnaldo’s songs are recorded by another interpreter, Belchior, who includes in his record PARAÍSO [PARADISE], Estranheleza [Strangeauty], by Arnaldo, and Ma, by Arnaldo, Aguilar and Nuno Ramos.
|
|
|
|
|
|
|
|
|
|
|
|
|
Arnaldo publishes his first book, OU E [OR AND], an album of visual poems, manually published. The release is at Sesc Pompéia, with a performance by Os intocáveis [The untouchables].
"AND/OR is a book and a box. On the top of the box there are two holes with a rolling circle inside; when you turn this circle, the most distant alphabets pass through the holes: letter-cinema. Inside the box there are 29 loose poems: they are charades, visualized coincidences, re-reading of other texts (Hoelderlin, Haroldo de Campos, Flaubert, Mick Jagger, Blake, Pagu), long answers with short answers and, in almost all of them, calligraphies along with the reading. Everything must be touched, turned, opened, bit, smelled, and, all in all, one must discover where the poem is." (Letter-cinema; ou/e, by Nuno Ramos, in Folhetim, 01/15/1984 - Folha de S. Paulo.)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Arnaldo participates in the visual poetry show Poesia Evidência [Evidence poetry], at PUC-SP. • Ciro Pessoa leaves the Titãs do Ieiê. • The group signs a contract with the WEA recording company and starts being called simply Titãs. They record their first album, TITÃS, produced by Peninha. The song Sonífera ilha [Soniferous Island] becomes a national success and Arnaldo participates, with the group, in several auditorium programs, with a high audience on TV, presented by Chacrinha, Bolinha, Raul Gil and Barros de Alencar. The Titãs start getting known all over Brazil. They begin to perform shows in other states where they had never played before. • The band Gueto records the song Respeito [Respect], a partnership between Arnaldo and Edson X.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Arnaldo participates in the meeting Conversa à luz dos vinte anos de Gil [Conversation in the light of Gil’s 20 years], at the Folha de S. Paulo newspaper, with Antonio Risério, Waly Salomão and others. • André Jung leaves Titãs to go to the band Ira and the drummer Charles Gavin comes from Ira to Titãs. • Arnaldo records, with the Titãs, the album TELEVISÃO [TELEVISION] produced by Lulu Santos. • Arnaldo follows, with the Titãs, performing the show Televisão, in several cities in Brazil, and with them, he participates in the film Areias escaldantes [Feverish sand], by Francisco de Paula, in Rio de Janeiro. • Arnaldo is arrested (with Toni Bellotto) with a small amount of heroin and he remains in prison for one month. • The Titãs Record the song Planeta morto [Dead planet], by Arnaldo Antunes, Marcelo Fromer and Sergio Britto, for the Globo Network special program, The Harley Era. Som Livre releases the soundtrack of this program.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Titãs releases CABEÇA DINOSSAURO [DINOSAUR HEAD], WEA, the first album produced by Liminha, which received the platinum award, and they travel throughout Brazil until 1987. • Usina Press/Gotham City creates the video Auto-retrato [Self-portrait] based on Arnaldo Antunes, with his participation. • Arnaldo publishes his second book, PSIA, by the publishing house Expressão. • The band Barão Vermelho records Eu tô feliz [I’m happy], a partnership between Arnaldo Antunes and Frejat, in the album DECLARE GUERRA! [DECLARE THE WAR!].
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Arnaldo publishes articles and poems in several newspapers and magazines. • He participates in the exhibition Palavra Imágica [Imagic poetry], at MAC/Museum of Contemporary Art from the University of São Paulo and the video Agráfica [Agraphics], produced by Walter Silveira, in São Paulo, for the release of a homonymous magazine. • Arnaldo records, along with the Titãs, the album JESUS NÃO TEM DENTES NO PAÍS DOS BANGUELAS [JESUS HAS NO TEETH IN THE COUNTRY OF THE TOOTHLESS], WEA, produced by Liminha, and which receives the golden award. • The Barão Vermelho records a second partnership between Arnaldo and Frejat, Quem me olha só [Whoever just looks at me], in the album ROCK'N GERAL [ROCK’N GENERAL]. • The Gang 90, in their first record after the death of Julio Barroso, records Vida dura [Tough life], by Arnaldo and Taciana Barros, in the album PEDRA 90 [90 Rock].
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He starts living with Zaba Moreau, with whom he has his first daughter, Rosa. • The Titãs release their new LP at the Hollywood Rock, in the same night in which play Ira! and the international band Pretenders. Titãs’ success is remarkable both in the performance in Rio de Janeiro as in São Paulo. "Arnaldo Antunes and his colleagues from the Titãs stole the party prepared for the Pretenders", says Jornal do Brasil. Arnaldo stands out for his performance and follows along with the Titãs performing the show Jesus não tem dentes no País dos Banguelas, in Brazil and abroad. • He co-publishes the graphic and poetic magazine Atlas [Almanak 88]. Alltogether they’re 84 creators in an album that assembles poetry, graphic arts, plastic arts, music and cinema. • The Titãs perform Go Back at the XXII Jazz Festival in Montreux, Switzerland, where they perform songs from the repertoire of their first records in different arrangements. Before that, they rehearse in England, with Liminha, who also participates, playing with them. From the recording of this show, the album GO BACK is released, mixed in London and followed by the release in Brazil. They do a tour in Portugal, opening the show of the band Xutos e Pontapés. GO BACK receives a platinum award. • He participates in the jam session Clássicos do Samba [Samba Classics], at Aeroanta, with Akira S., Paulo Zinner, Branco Mello, Hélcio Aguirra and Pamps, playing songs by Ataulfo Alves, Noel Rosa, Jackson do Pandeiro, Clementina de Jesus, Luiz Gonzaga, among other composers. • He acts, with the Titãs, in a short film called Rock Paulista [Rock from São Paulo], by Anna Muylaert, São Paulo. • New songs are recorded by Barão — Lente [Lens], by Arnaldo and Frejat, and Não me acabo [I can’t finish myself], by Arnaldo and Paulo Miklos. Besides, Dulce Quental, ex-member of the band Sempre Livre, records a new partnership between Arnaldo and Frejat, Onde mora o amor [Where love lives]. • The Titãs release, under the pseudonym of Vestidos de Espaço [Space Dressed] a single with two carnival songs, Pipi popô and the Marcha do Demo [The demon’s march], with vocal participations of Paula Toller and Jorge Mautner. • A partnership between Arnaldo and Paulo Leminski, U.T.I. [E.R.], is recorded by the band Clínica. • Sandra Sá records Tempo [Time], by Arnaldo and Paulo Miklos, and Roberto de Carvalho records O que você quer [What do you want], by Arnaldo and Roberto de Carvalho.
|
|
|
|
|
|
|
|
|
|
|
|
|
Arnaldo follows performing the show Go Back with the Titãs. • He does the curatorship of the exhibition The Artist’s Look, at MAC / Museum of Contemporary Art in São Paulo, with works from the museum collection, where he gives privilege "to works where the process of creation is more apparent, or when this process turns into the art object itself". • With the Titãs, he records the album Õ BLÉSQ BLOM, WEA, produced by Liminha, which receives the golden award. Arnaldo does the graphic project of the cover and the insert of the record. Caetano Veloso and Moreno Veloso sign the release. • The show Õ Blésq Blom is presented in Los Angeles (M Machine), Boston (Paradise Club) and in New York (S.O.B.’S), in the USA and in several cities in Brazil. • Arnaldo participates in the performance of d'A Revolução Francesa [The French revolution], interpreting Marat, a show with 300 actors and a symphonic orchestra, in front of the Pacaembu Stadium, directed by José Roberto
Aguilar to celebrate 200 years of the French Revolution. • Marisa Monte records Comida [Food], by Arnaldo, Fromer and Britto, in her first album.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Some of Arnaldo’s poems are projected at the urban intervention done on Paulista Avenue, along with Haroldo and Augusto de Campos and Walter Silveira. • He publishes TUDOS, by Iluminuras. • He reads poems by Paulo Leminski, in an event specially meant to honor the poet, called Perhappiness I, at Curitiba Cultural Foundation. • He participates in the show of visual poetry Transfutur, Visuelle Poesie, in the city of Kassel, Germany, under the curatorship of Friedrich Block, André Vallias and Valeri Scherstjanoi. • Arnaldo writes Cabelo [Hair] with Jorge Benjor, which is also recorded by him and by Gal Costa.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He performs with the Titãs at Rock in Rio II, in Maracanã, in the same evening of Hanoi-Hanói, Guns’n Roses, Billy Idol and Faith No More. • The book PSIA is republished by Iluminuras. • Celeste, second daughter of Arnaldo and Zaba, is born. • Arnaldo participates in the show of Visual Poetry Nomuque Edições 1974/1991, at MASP – Museu de Arte de São Paulo [Art Museum from São Paulo]. • For the first time, he records a solo song: E só [And only], included in the album ROCK DE AUTOR [AUTHOR’S ROCK], released by the independent recording company Manifesto, along with other well known names in Brazilian rock such as: Paulo Miklos, Nasi, from Ira!, Akira S., from Akira S. & As Garotas que Erraram etc. Zaba Moreau does the graphic production of the cover and the insert. • The Secretary of Culture, honoring the Paulista Avenue, exhibits Arnaldo’s poem H2Omem [H2Omen] on a billboard. • He participates in the second urban intervention with a projection of laser poems on the buildings of the avenues Paulista and Consolação, now also in sound versions. The event included poems by Arnaldo, Augusto de Campos, Haroldo de Campos, Décio Pignatari, Walter Silveira and the Mexican poet Octavio Paz. • He releases with the Titãs the album TUDO AO MESMO TEMPO AGORA [ALL AT THE SAME TIME NOW], WEA, produced by the Titãs themselves, which receives the golden award. The 8 members of the band sign all the 15 tracks of the record together, for the first time. Conspiração Filmes produces the home video with the making of of the CD recording. • They perform the show of Tudo ao Mesmo Tempo Agora all over Brazil and in three cities in the United States [San Diego, Los Angeles and São Francisco]. • Marisa Monte records Volte para o seu lar [Go back home], by Arnaldo Antunes, Eu não sou da sua rua [I don’t belong to your street], by Arnaldo Antunes e Branco Mello, and Beija eu [Kiss I], by Arnaldo Antunes, Arto Lindsay and Marisa Monte, in MAIS [MORE], her second record. • Marina Lima records a partnership between her and Arnaldo, Grávida [Pregnant]. • The song Não há perdão para o chato [There’s no apology for the boring], a partnership between Arnaldo,Cazuza and Zaba Moreau, is released in POR AÍ…, a album done after Cazuza’s death.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He participates in the first international computer poetry exhibition [p0es1e — digitale dichtkunst], organized by André Vallias and Friedrich Block, at the Galerie Am Market, Annaberg-Burchholz, Germany. • He produces the CD ISTO NÃO É UM LIVRO DE VIAGEM [THIS IS NOT A TRAVELING BOOK] in which the poet Haroldo de Campos records 16 poems from the book GALÁXIAS [GALAXIES], followed in the citar by Alberto Marsicano, by the publishing house 34. • He receives the award of best song of the year for Grávida [Pregnant], done with Marina Lima, granted by the APCA [Paulista Association of Art Critics]. • He starts working in computer animations with Zaba Moreau, Kiko Mistrorigo and Célia Catunda. • He creates graphic works along with Augusto de Campos for the book RIMBAUD LIVRE [RIMBAUD FREE], released by the publishing house Perspectiva. • He publishes the book AS COISAS [THE THINGS], by Iluminuras, illustrated by his daughter Rosa, then three years old. • Arnaldo decides to leave the Titãs after ten years as a member of the band. Despite that, he continues composing with the Titãs. • Several of these partnerships will be included in the Titãs future records, as well as in Arnaldo’s solo records. • Some of his songs are recorded by Hanói-Hanói — Pensamento [Thought], with Arnaldo Brandão — and by Adriana Calcanhotto — Velhos e jovens [Young and old], with Péricles Cavalcanti.
|
|
|
|
|
|
|
|
|
|
|
|
|
He releases, by BMG, the recording company which hires him as a solo artist, the CD and video NOME [NAME], which he had been creating with Zaba Moreau, Célia Catunda and Kiko Mistrorigo for more than a year, mixing music, poetry and graphic production in a single project. The CD is produced by Arnaldo, Paulo Tatit and Rodolfo Stroeter, with special participations by Marisa Monte, João Donato, Arto Lindsay, Edgard Scandurra and Péricles Cavalcanti. The vídeo contains 30 pieces intending at giving movement to the written word. • The BOOK AS COISAS [THE THINGS], is awarded with the Jabuti poetry prize. • Arnaldo participates in the exhibition Arte Brasil, in Konstanz, Germany. • He integrates the group Ouver, with Augusto de Campos, Haroldo de Campos, Décio Pignatari, Livio Tragtemberg, Walter Silveira and others. They perform a poetry show in the celebration of the 30th year of the National Vanguard Week, at the Teatro Alterosa, at the Cultural Center of the UFMG [Federal University of Minas Gerais], in Belo Horizonte, MG, and at
"Perhappiness 93", event in the honor of Paulo Leminski, organized by the Curitiba Cultural Foundation. • He creates the cover of the book TEXTOS E TRIBOS [TEXTS AND TRIBES], by Antônio Risério, Imago. • Gilberto Gil and Caetano Veloso record, in their collective album TROPICÁLIA 2, the song As Coisas [The things], done by Gil upon a text by Arnaldo. • The Ira! records Perigo [Danger], a partnership between Arnaldo and Edgard Scandurra.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He participates in several exhibitions in Brazil: Entretexto [Intertext], a solo exhibition at the Art Center UFF, UFRJ [Federal University of Rio de Janeiro], in Niterói, RJ; The artist book O livro-objeto [The object book], Visual Art Center Raimundo Cela, Culture State Secretary from Ceará; Arte /Cidade [Art/City] [1st Module] — A Cidade Sem Janelas [The windowless city], curated by Nelson Brissac, at the Matadouro Municipal [Municipal slaughter house], São Paulo. • Along with the poet Lenora de Barros he participates in the performance O desejo é o começo do corpo [The desire is the beginning of the body], at the II Biennial Meeting of the Psychoanalysis Brazilian Society from São Paulo, "Corpo-Mente, uma fronteira móvel" [Body-Mind, a mobile boarder], São Paulo. • The group Cena 11 [Scene 11], from Santa Catarina, does the performance O Novo Cangaço [The new cangaço] with songs by Arnaldo. • With Zaba Moreau, he goes to Austria, where he shows the performance Nome [Name], with music, readings and video, at the event Club Dadada, Festival Steirischer Herbst, in the city of Graz. • During the year he performs the show Nome in several Brazilian cities, with the scenario projected by Nuno Ramos, where the video Nome is projected onto huge white t-shirts, inflated by wind machines. The band that follows him is formed by Edgard Scandurra [electric guitar], Paulo Tatit [bass and acoustic guitar], Zaba Moreau [keys], Peter Price [percussion] e Pedro Ito [drums]. • In Rio, Marisa Monte participates in the show, singing Alta noite [High night] with him. • The video NOME is shown in video festivals and shows in the United States, Austria, Italy, France, Germany, Switzerland, Sweden, Spain, Holland, Monaco, Australia, Uruguay, Argentina, Columbia and Chile. He receives an award from the juri of the The First Annual New York Video Festival, New York, USA, and the recommendation from the juri of the International Video Festival from the city of Vigo, in Spain, in 1995. • He participates in the soundtrack of the film Mil e Uma [A thousand and one], directed by Susana Moraes, composed by Péricles Cavalcanti, interpreting Tema de Antonio [Antonios’s theme] by Péricles Cavalcanti and Perfil [Profile] by Arnaldo, Nando Reis and Péricles Cavalcanti. Natasha Records release this soundtrack in the album MIL E UMA. • Arnaldo participates in the children’s album CANÇÕES DE NINAR [LULLABIES], release in the USA by Ellipsis arts… in the album BRAZILIAN LULLABY • Some of his songs are recorded by Marisa Monte, like Alta noite, his authorship, Bem leve [Very light] and De mais ninguém [Nobody else’s], along with Marisa. • Adriana Calcanhotto records Estrelas [Stars], by Arnaldo and Sergio Britto. • Cássia Eller records Socorro [Help], by Arnaldo and Alice Ruiz. • Margareth Menezes records O que [What] and the band Golpe de Estado records No entanto [Nevertheless].
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He records the album NINGUÉM [NO ONE], by BMG Brazil, produced by Liminha, along with the band that had already been with him in other shows, Edgard Scandurra, Paulo Tatit, Pedro Ito, Peter Price and Zaba Moreau. Ninguém has the special participation of Jorge Mautner, in the track Consciência [Consciousness]. Gilberto Gil writes the presentation release for the press. • Arnaldo composes and records the song Lavar as mãos [Washing your hands] for the TV Cultura children’s program Castelo Rá-Tim-Bum. This sound track is released in album CASTELO RÁ-TIM-BUM. • The song De mais ninguém [No one else’s], written with Marisa Monte, and recorded by her, is included in the North-American film Blue in the face, directed by Wayne Wang e Paul Auster. In the following year, Nelson Gonçalves in the last CD of his career would also record this song. • Some dance shows use Arnaldo’s songs, such as: A...Cor...Do...Des...Acordo...Acordo [A..gree...ment...dis...agreement], Cristina Castro, from Bahia; Hay-Kay, Vórtice Group, from Minas Gerais; Versus, from the Quasar Dancing Company, from Minas Gerais, Respostas Sobre a Dor [Responses on Pain], Cena 11 Group, from Santa Catarina. • He does an exhibition of visual poems, calligraphies and an installation of graphic-poetic panels, at the Long Beach Museum of Art, CA/EUA, within the project Dentro Brasil [Inside Brazil], along with a multimedia installation by Bruce and Norman Yonemoto and a video show by 23 Brazilian artists. o The performance Nome [Name] is shown by Arnaldo and Zaba at the opening of this evento. • He participates in the CDs IRA! 7, by Ira!, interpreting Nasci em 62 [I was born in 62], by Edgard Scandurra, and in the CD SOBRE AS ONDAS [ON THE WAVES], by Péricles Cavalcanti, in the song Deuses e Homens [Gods and Men], by Péricles Cavalcanti.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He travels with the show Ninguém all over Brazil. • His poems are included in the POETIC ANTHOLOGY: BRAZIL-COLUMBIA [PARA CONOCERNOS MEJOR], organized by Aguinaldo José Gonçalves and Juan M. Roca, Unesp, São Paulo. • He participates, in the United States, of the exhibition Manipulated Word/Text and Image, South Florida Arts Center / Ground Level Gallery, integrating the New Vision Florida-Brazil / A Festival Exchange, in Miami, Florida. • He records the album O SILÊNCIO [THE SILENCE], by BMG Brasil, produced by Mitar Subotic [Suba], with Edgard Scandurra, Paulo Tatit, Pedro Ito, Zaba Moreau and special participations by Carlinhos Brown and Chico Science. The presentation release is written by Péricles Cavalcanti. • In the United States he shows the performance Nome, at the Festival New Vision Florida / Brazil / A Festival Exchange, at the Colony Theater, in Miami, Florida. • He releases the show of the album O SILÊNCIO. • His songs Eva e eu [Eve and I], by Arnaldo Antunes and Péricles Cavalcanti, Que te quero [That I want you], by Arnaldo and Edgard Scandurra, and Desce [Come down] are recorded with the Symphonic Jazz Orchestra in a live presentation at TUCA and at SESC Pompéia. These tracks were released at the album MUNDO SÃO PAULO [WORLD SÃO PAULO]. • He participates in the home video BARULHINHO BOM [GOOD LITTLE NOISE], by Marisa Monte, with Carlinhos Brown and Davi Moraes, done by Conspiração Filmes and in the album O TRINGULO SEM BERMUDASS [THE TRIANGLE WITH NOBERMUDAS], with innovative readings of the Mutantes, interpreting Dia 36 [Day 36]. • Some of his songs are recorded by Maria Bethania Lua vermelha [Red moon], by Arnaldo Antunes and Carlinhos Brown, and Alegria [Joy]. • Odair José records Baby, by Arnaldo, Marcelo Fromer and Paulo Miklos. • O Terço records Folhas secas [Dry leaves]. • Paulo Tatit and Sandra Peres record Era uma vez [Once upon a time], by Arnaldo and Sandra Peres, Água [Water] and Pipoca [Popcorn], by Arnaldo and Paulo Tatit, in the album CANÇÕES DE BRINCAR, released by Palavra Cantada.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bras, third son of Arnaldo and Zaba, is born. • Arnaldo has some of his poems included in the anthology NORTE Y SUR DE LA POESÍA IBEROAMERICANA — ARGENTINA. BRAZIL, CHILE, COLUMBIA, SPAIN, MEXICO, VENEZUELA, organized by Consuelo Triviño, Editorial Verbum, Colômbia, and in the NOTHING THE SUN COULD NOT EXPLAIN — CONTEMPORARY BRAZILIAN POETS, a bilingual anthology of twenty Brazilian contemporary poets, organized by Michael Palmer, Régis Bonvicino and Nelson Ascher, along with João Almino, Sun & Moon Press, Los Angeles, USA. • The track O Silêncio is included in the anthology Bati Macumba, released by Bad New Records, in Japan. • Arnaldo participates in the Festival of Caribbean Culture — Fiesta del Fuego, in Santiago de Cuba, and in the VI Biennial de La Havana — The individual and his memory, Havana, Cuba. • He continues performing the show O Silêncio all over Brazil. • He composes and records the soundtrack (along with Leonardo Aldrovandi), for the show Nº 2, by Tiago Carneiro da Cunha, shown at Grec 97 — Festival d'estiu in Barcelona and at the Expo Portugal. • He participates once more in the festival New Vision Florida/Brazil, now presenting a collective performance with the Cuban violin player Alfredo Triff, at Galeria Ambrosino, Miami, USA. • He participates in the recording of the album and DVD TITÃS ACOUSTIC, the first show and recording with the Titãs, since he left the band in the end of 1992. • He sings in the track Xiquexique, in PARABELO, soundtrack by Tom Zé and Zé Miguel Wisnik, for a dance show of Grupo Corpo. This track is also included in the CD DEFEITO DE FABRICAÇÃO [PRODUCTION DEFECT], by Tom Zé, Luaka Bop (USA). • He publishes, by Perspectiva, for the collection Signos, organized by Haroldo de Campos, the poetry book 2 OU + CORPOS NO MESMO ESPAÇO [2 OR + BODIES IN THE SAME SPACE], which comes with a album with the recording of some of the poems in several simultaneous voice channels, especially recorded by Arnaldo, and produced by Alê Siqueira. • He participates in the collective CD CANÇÕES DO DIVINO MESTRE [SONGS OF THE DIVINE MASTER], which follows the edition of the Bhagavad Gita, translated by Rogério Duarte, in which several artists bring music to excerpts of the text. • Arnaldo participates in the CD BENZINA [BENZINE], by Edgard Scandurra, interpreting a partnership of them both, Um olho na ponta de cada dedo [An eye at the tip of each finger]. Edgard also records Gera, Degenera [Generates, degenerates] by him and Arnaldo. • Gilberto Gil records A ciência em si [Science in itself], a partnership between him and Arnaldo, in his album QUANTA. • Rita Lee records O Que Você Quer [What do you want], by Arnaldo and Roberto de Carvalho. • Ornella Vanoni records SantÁllegria, an Italian version of the song Bem leve [Very light], by Arnaldo and Marisa Monte.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Some of his poems are included in the anthology ESSES POETAS, UMA ANTOLOGIA DOS ANOS 90 [THESE POETS – AN ANTHOLOGY OF THE 90’S], organized by Heloisa Buarque de Holanda, Aeroplano, Rio de Janeiro, Brazil. • The tracks Imagem [Image], de Arnaldo e Péricles Cavalcanti, and O seu olhar [Your look], de Arnaldo e Paulo Tatit, of the albums NOME and NINGUÉM are included in the anthology of Brazilian Music, collected by David Byrne, BELEZA TROPICAL 2, NEW! MORE! BETTER!, released by Luaka Bop/Warner Bros, in the USA. • The dancing company Orgone, presents the show O Meu Dentro é o Que Escorre [My inside is what spills], based on the CD recordings which follow the book 2 OU + CORPOS NO MESMO ESPAÇO. • He participates in the exhibition Handmade, Ideogramas, Caligrafias, etc. [Handmade, Ideograms, Calligraphies etc.], with Walter Silveira, presenting ideograms and calligraphies at the Ybakatu Art Space, in Curitiba. • He records, with Arto Lindsay and Davi Moraes, the track Sem Você [Without you], a partnership with Carlinhos Brown, for the collection Onda Sonora Red Hot + Lisbon, Red Hot Organization/Movieplay Portuguesa. • The track Abraço [Embrace], partnership with Suba, recorded by him in his album SP CONFESSIONS, is included in the anthology FREEZONE 5: THE RADIO IS TEACHING MY GOLDFISH JIU-JITSU, released by Crammed Discs, in Belgium. • He creates the sound production of the CD CRISANTEMPO by Haroldo de Campos, which follows the book with the same title, Perspectiva, São Paulo. • He records his fourth solo album, UM SOM [ONE SOUND], by BMG Brazil, produced by Chico Neves, in which participate the musicians Edgard Scandurra, Paulo Tatit, Pedro Ito, Zaba Moreau, Bartolo, Davi Moraes, Moreno Veloso, Fabio Tagliafferri, Paulo Freire, Pedro Sá, Saadet Türkoz, Toninho Ferragutti, Marco Suzano and João Barone. Peter Gabriel did the mixing of the album in England, at the studio Real World. Marisa Monte writes the presentation release of this record. • Arnaldo participates at the XXIVth International Biennial in São Paulo, with a graphic-poetic installation with layers of torn and pasted posters. • He releases the show Um Som, traveling thorugh several cities in Brazil. • He has two partnerships with Carlinhos Brown recorded in his album, OMELETE MAN [OMELETTE MAN]. • He participates once more in the children’s project Palavra Cantada, this time in the album CANÇÕES CURIOSAS [CURIOUS SONGS], with the songs Cultura [Culture], by Arnaldo Antunes, and Criança não trabalha [Children don’t work], by Arnaldo and Paulo Tatit). • The group Molejo records Família [Family], by Arnaldo and Toni Bellotto.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Arnaldo proceeds presenting the show Um Som through Brazil. • Some of his poems are included in the anthologies FESTA DA LÍNGUA PORTUGUESA 2 – VOZES POÉTICAS DA LUSOFONIA [BRAZILIAN LANGUAGE FEAST – LUSOPHONIC POETIC VOICES], published in Sintra, Portugal, by the Municipal Chamber and the Camões Institute, and at LKM – DINGE ZWISCHEN LEBEN, KUNST & WERK, Lebemskunstwerke, Germany. • He participates in the soundtrack of the film Gêmeas [Twins], an adaptation of the work by Nelson Rodrigues, directed by Andrucha Waddington, interpreting the song Bandeira Branca [White flag], by Max Nunes and Laércio Alves. • The album FOCUS – THE ESSENTIAL MUSIC OF ARNALDO ANTUNES is released, a collection of the solo production organized by BMG Brazil. • He receives the award for the Best Brazilian Pop Videoclip, with the clip of the song Música para Ouvir [Music to listen], directed by Andrew Waddington and Toni Vanzolini, of Conspiração Filmes, at the fifth edition of the MTV Awards Brasil. • He participates in the II Visual Arts Biennial of the Mercosul, in Porto Alegre, an event which was distributed in three different spaces, at the Art Museum of Rio Grande do Sul, at the Gas plant and in seven storage houses along the Guaíba river. Arnaldo exhibits two large installations built in painted aluminum letters — Cresce [Grows] and Infinitozinho [Little infinite]. • Ana Carolina records the song Agora ou nunca [Now or never], by Arnaldo, Sergio Britto and Marcelo Fromer. • Timbalada records Pense minha Cor [Think my color], by Arnaldo and Carlinhos Brown. • Lenine records Rua da Passagem [Passage Street], by Arnaldo and Lenine. • Cassia Eller records Um branco, um xis, um zero [A white, an x, a zero], by Arnaldo, Marisa Monte and Pepeu Gomes. • For the children’s production Palavra Cantada, he composes Do vento [From the wind], recorded at the album MIL PÁSSAROS – 7 HISTÓRIAS DE RUTH ROCHA [ONE THOUSAND BIRDS – 7 STORIES BY RUTH ROCHA], a song which he will record again in his album PARADEIRO [WHEREABOUTS]. • He participates in the SONGBOOK JOÃO DONATO, interpreting A bruxa de mentira [The false witch], by João Donato and Gilberto Gil; in the SONGBOOK CHICO BUARQUE interpreting Cotidiano [Everyday], by Chico Buarque; in the albums SÃO PAULO CONFESSIONS, by Suba, with the song Abraço [Embrace], by Arnaldo and Suba, and in the TRIBUTE TO CAZUZA, interpreting Mal Nenhum [No harm], by Cazuza.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He performs the show Um Som at the Festival Rhythms and Feasts from the World, in the city of Porto, and at the Transatlantic Festival, in Lisbon (Portugal) and in the Festival La Mar de Músicas, in Cartagena (Espanha). • In Spain, the publishing houses Zona de Obras and Tangará, release DOBLE DUPLO, an anthology of poems by Arnaldo, translated and organized by Iván Larraguibel, with prefaces by David Byrne and Arto Lindsay. • He composes and records the soundtrack for the dance show O Corpo [The body], by Grupo Corpo, from Minas Gerais, which celebrates 25 years. The soundtrack is released in the album OCORPO. • He releases, by Iluminuras, the book 40 ESCRITOS [40 WRITINGS], organized by João Bandeira, which gathers articles, essays, prefaces, releases, and texts published in several media [newspapers, magazines, catalogues etc.] since 1980. • Seven of his songs are included in the film Bicho de Sete Cabeças [Seven headed monster], directed by Lais Bodanzki, awarded in Festivals such as in Italy, France and Switzerland. • One of his poems is included in the dancing show 12 Poemas para Dançarmos [12 poems to dance], by Gisela Moreau, shown at Sesc Vila Nova, São Paulo. • He composes a partnership with the Portuguese group Clã, H2Omem, recorded by them. • He has new compositions recorded by Marisa Monte: Não Vá Embora [Don’t go away], by Arnaldo and Marisa, and Não é fácil [It’s not easy] and Água Também é Mar [Water is also the sea], by Arnaldo, Marisa and Carlinhos Brown. • Edvaldo Santana records Beija-flor [humming bird], by Arnaldo and Edvaldo; Zé Renato, Porque Eu Estou Aqui [Why am I here], by Arnaldo and Zé Renato); Sérgio Britto records Os Olhos do Sol [The eyes of the sun] and Pensamento #2 [Thought #2], by Arnaldo and Britto, and the band Rumbora records Tá Com Medo? [Are you afraid?], by Arnaldo and Rumbora). • He participates in the album MEMÓRIAS, CRÔNICAS E DECLARAÇÕES DE AMOR [MEMORIES, SONGS AND LOVE DECLARATIONS], by Marisa Monte, saying the text by Eça de Queiróz in the track Amor I love you [My love, I love you], by Carlinhos Brown and Marisa Monte. He also participates in the recording of the clip as an actor.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He releases the book OUTRO [OTHER], a poem written along with Josely Vianna Baptista, on a visual work by Maria Angela Biscaia, by the Cultural Foundation of Curitiba. Compõe in partnership with Kassin the opening song of the program Um Pé de Quê? [A tree of what?], by Regina Casé, for Futura Channel. • The film Bicho de Sete Cabeças, receives the award of best soundtrack, at the Recife Festival. The original soundtrack of the film is also released in album BICHO DE SETE CABEÇAS, produced by André Abujamra. • Marcelo Fromer, from Titãs, passes away, a friend and partner of Arnaldo. • With Guilherme Kastrup, he does the performance Nome at the Festival of sound poems the air flows, in the city of Guarda, in Portugal. • He records the album PARADEIRO [WHEREABOUTS], by BMG Brazil produced by Carlinhos Brown and Alê Siqueira, at the studio Ilha dos Sapos [Frog Island], in Candeal, Salvador, BA. In this record, participate musicians from São Paulo, Rio de Janeiro and Salvador. The title track has the special participation of Marisa Monte, sharing the vocals with Arnaldo . The record has partnerships with Carlinhos, Davi Moraes, Alice Ruiz and Edgard Scandurra, among others, besides a song by Paulo Leminski and a new recording of Exagerado [Exaggerated], by Cazuza. • He does the perfomance Nome with Zaba Moreau, at the International Festival Romapoesia, in Rome, Italy and, on their return, he begins the tour of the show Paradeiro. Chico Neves, Zaba Moreau, Bartolo, Chico Salém, Guilherme Kastrup, Henrique Alves and Curumim form the band. • In the city of Porto, in Portugal, he creates the installation Palavra Desordem [Disorder Word], at the Gallery Labirintho and he does a performance, with Guilherme Kastrup and Chico Neves, at the festival Porto 2001, Museum of Contemporary Art. • Tomé, his fourth son, is born. • Some Arnaldo’s songs are recorded by Zélia Duncan: Alma [Soul], partnership with Pepeu Gomes; by Frejat: Ela [She], with Frejat and Lenine and No Escuro e Vendo [In the darkness and seeing], with Frejat and Marisa Monte; by Suzana Salles: Paraíso Eu [Paradise me]; by Cid Campos: Máximo Fim [Maximum end], with Cid Campos; by Ira!: (Pecado [Sin], with Edgard Scandurra; by Biquini Cavadão: Quem me Olha Só [Who looks at me only], with Frejat; and by Paulo Miklos: Sem amor [Without love], with Paulo Miklos. • Arnaldo participates in the albums TUTANO, by Walter Franco, interpreting with him the song Nasça [Be Born], by Arnaldo and Walter Franco; in MELOPÉIA [MELOPEIA], in which several artists put music into sonnets by Glauco Matoso, with the song Confessional by Arnaldo and Glauco Matoso; Submarino Verde e Amarelo [Yellow and green submarine], a tribute to the Beatles, interpreting Don’t let me down (John Lennon, Paul McCartney) and Eu e Meu Guarda-Chuva [I and my umbrella], a children’s project by Branco Mello), in the track O mistério de Jonas [Jones’ Mistery], by Branco Mello and Ciro Pessoa.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He continues traveling troughout the coutry with the show Paradeiro. • He carries out the solo exhibition of calligraphies Cérebro Sexo [Brain Sex], at the Portinari Gallery, from the Fundación Centro de Estudos Brasileiros, in Buenos Aires, Argentina. • He records the theme track from the film Dois Perdidos Numa noite Suja [Two people lost in a dirty night] adapted from the work of Plínio Marcos directed by José Joffily, released in album DOIS PERDIDOS NUMA NOITE SUJA [TWO PEOPLE LOST IN A DIRTY NIGHT]. • He publishes the phrase book PALAVRA DESORDEM, by Iluminuras, São Paulo, SP. • He receives the award of the best clip, from the Multishow Prize of Brazilian Music, with the clip of Essa Mulher [This girl], directed by Lais Bodanzky. • He records the album TRIBALISTAS [TRIBALISTS], a collective project along with Carlinhos Brown and Marisa Monte followed by the musicians Dadi and Cézar Mendes, with the special participation of Margareth Menezes in one of the tracks. • One of his works in included at the exhibition Brazilian Visual Poetry, at the Mexican-Art Museum, in the city of Austin, Texas, USA, under the curatorship of the Brazilian artist Regina Vater. • He does a performance at the auditorium of the Centro Cultural Borges, in Buenos Aires, Argentina. • He performs with the Jazz Symphony Orchestra, at the Memorial da América Latina, in São Paulo. He does poetic performances at the Kosmopolis 2 — Festa Internacional de la Literatura, at the Centro de Cultura Contemporània from Barcelona, Barcelona, and at the International Lecture Cycle FUTURISME, in Palma de Mallorca, in Espanha. • He records, with Chico Neves, three incidental themes and a song Alegria [Joy] for the soundtrack of the film Benjamim, by Monique Gardenberg. • He participates in the record of Aldo Brizzi: Abraça meu abraço [Embrace my embrace], a partnership with Aldo Brizzi; and of Fábio Tagliaferri: Esqueça [Forget], with Fábio Tagliaferri. • Some of Arnaldo’s songs are recorded by Elza Soares: Eu vou ficar aqui [I will stay here]; by Timbalada: Justifique baby [Justify baby], a partnership with Carlinhos Brown and Alain Tavares; by Jussara Silveira: Menino meu [My boy], with Cézar Mendes; by João Donato: Nunca mais [Never more], with João Donato and Marisa Monte; by Ortinho: O engano do humano [The deceipt of the human], with Ortinho and Antônio Risério; by Jota Quest: Tanto faz [Whatever], with Rogério Flausino; by Davi Moraes: Na massa [In the mass], with Davi, and Via Lapa, with Davi and Brown; and by Gal Costa: Socorro [Help], with Alice Ruiz.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
In Brazil, the album TRIBALISTAS receives triple platinum award and platinum in Italy and Portugal. • In Bahia, during Carnival, Arnaldo sings along with Carlinhos Brown, at Camarote Andante and at the Expresso 2222, by Gilberto Gil. • He participates in the recording of the DVD and álbum of JOTA QUEST LIVE MTV, in Belo Horizonte, MG, singing with them their partnership Tanto Faz. • The album TRIBALISTAS is awarded with the prize of Best Álbum of the Year, in hte category of Brazilian Popular Music, and Best Album of the Year by the APCA – São Paulo Association of Art Critics • He releases ET EU TU, a poetry book by Arnaldo upon images of the artist Marcia Xavier. • He is awarded, along with the Tribalistas, the prizes of Best Song, Best Album and Best DVD, at the Multishow Award of Brazilian Music. • He does the exhibition ESCRITA À MÃO (HAND WRITTEN), a solo from the series of calligraphies, at Centro Universitário Maria Antônia, in São Paulo, and also in Rio de Janeiro, in the art gallery Nova Laura Marsiaj, in Rio de Janeiro. • He performs the show Paradeiro at the Southwestern Festival, in Alentejo, Portugal, and in the Festival of Navarra, in Pamplona, Espanha. • Some of his songs are recorded by Carlinhos Brown: Carlito Marrón and Baby Groove, a partnership with Carlinhos Brown, and Ifá de Copacabana (Ifá from Copacabana), with Brown and Davi Moraes; and by Daniela Mercury: To remember, with Carlinhos Brown. • The Tribalistas are awarded with the Tim Prize of Best Band and the Prize Austregésilo de Athaíde, in the category of Best album. They are awarded with the Press Award 2002 of Best Band and Best song - Já Sei Namorar [I know how to date] • The Tribalistas perform together, for the first time, in the end of the celebration of the Latin Grammy 2003, in Miami, EUA, where they are awarded the prize of MBest Pop Brazilian Album. They perform in Verona, Italy, at the Festivalbar, where they are awarded the Prize of Best Song of the Year – Já Sei Namorar. And in Paris they do a showcase. They are awarded with the prize Golden Waves of Best Artist or Latin Group, at the Waves Prize 2003 – España. They are awarded with the prize Italian Music Awards Italy (2003) – Best Breaktrough International Artist. In Brazil they are awarded with the prize Nickelodeon Brazil 2003 – Bestelhor Song [Já sei namorar] and Best Band. • At Chico Neves’ studio, in Rio de Janeiro, Arnaldo starts recording his new album SAIBA [KNOW IT], with the following musicians: Bartolo, Boghan Costa, Carlinhos Brown, Cézar Mendes, Chico Neves, Dadi Carvalho, Daniel Jobim, Edgard Scandurra, Fabio Tagliaferri, Haxi, Jaques Morelenbaum, Léo Bit Bit, Paulo Tatit, Pedro Sá, Walter Costa and Zaba Moreau, and with the special participation of Marisa Monte.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
• Exhibits reproduction of visual poems, graphic and plastic work and projection of the video Nome at the 4th edition of the Art Festival at the Centro Histórico de João Pessoa, Centro em Cena. • Releases the CD entitled Saiba, the first one released under his own label, "Rosa Celeste", distributed and promoted by BMG. • The show Saiba tours a dozen Brazilian cities. His accompanying band is composed by Bartolo (guitar), Chico Salém (violon and guitar), Curumin (percussion), Henrique Alves (bass) and Marcelo Éfori (percussion and sampler). Costume and scenery by Suzana Yamauchi. • His songs Alegria and Tema de Benjamin are included in the CD Benjamin, soundtrack for M. Gardenberg´s movie. • Participates, together with Francisco Alvim and Antonio Cícero, in the International Literary Festival which took place in Parati (FLIP, RJ), discussing the subject: A lírica exata : tres vozes. He also performs. • Takes part in the Musical Alternation in the closing ceremony of the passage of the Olympic Torch through Rio de Janeiro. • Participates in Sonoras Galáxias, an event in honour of poet Haroldo de Campos, in São Paulo. • Sings the Santos Football Team anthem on the CD Hinos do Placar. • Some of his songs are recorded: Davi Morais sings Pretoriana, by Arnaldo and Carlinhos Brown; Lula Queiroga sings Sentimental, by Arnaldo, Lenine, Lula Queiroga; Titãs sing Esperando para atravessar a rua, by Arnaldo, Tony Bellotto, Branco Mello, Charles Gavin; Margareth Menezes sings Passe em casa, by Arnaldo, Carlinhos Brown, Margareth Menezes; Adriana Calcanhotto sings Saiba; Lenine sings Sentimental, by Arnaldo, Lenine, Lula Queiroga; Nando Reis sings Mantra, by Nando and Arnaldo. • The Portuguese group Clã records Eu ninguém and Seja como for, by Arnaldo Antunes and Hélder Gonçalves on the CD "Rosa Carne", by EMI Music Portugal. • Records the clip Saiba, title song of the new CD, directed by Estevão Ciavatta, at a warehouse in the Rio de Janeiro Harbour. • Presents a poetry performance at the Museo de la Ciudad de Mexico, at the Zocalos´s 4th Book Fair whose theme was: "La Ciudad, un libro abierto". • Receives the Jabuti Award for his book of poems entitled Et Eu Tu, awarded by the Câmara Brasileira do Livro, as first-rate on the "Categoria Projeto e Produção Editorial". Producers were Carlito Carvalhosa, Arnaldo Antunes and Márcia Xavier. • Arnaldo opens the "Estación Brasil" festival, at the Teatro Gran Rex, in Buenos Aires, Argentina, with the show Saiba. • Exhibits the sculpture "Infinitozinho", a totem with 125 cm in height, with the word infinitozinho, at the collective exhibition Múltiplos, which took place at the Laura Marsiaj Arte Contemporânea gallery, Rio de Janeiro, Brazil.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
• Arnaldo stages the Saiba tour, in Portugal: at the Centro Cultural de Belém, Lisbon, and at the Teatro Tivoli, in Porto. • Presents Poetry Performance in Turim, Italy. • Presents the Saiba tour in various cities in Spain: at Sala Clamores, in Madrid, at the Centro Cultural Delicias, in Zaragoza, during the 16th Jazz and Creative Music Woll Damm de Ciutat Vella, in Barcelona; at the Múrcia Auditorium, in Múrcia; at the Festival Sons da Diversidade, in Santiago de Compostela; at the Festival Territorios, in Sevilla. • Produces the Exhibition Palavra Imagem, at the Bolsa de Arte gallery, in Porto Alegre, Rio Grande do Sul, Brazil. • Participates, with the Clã Group, in a concert of the Gala da Fundação Luso-Brasileira, at the Cassino do Estoril, in Portugal. • Presents a Poetry Performance with the release of the CD Transborda, produced by Absolute Poetry - October Poetry Festival, in Monfalcone, Italy. • Takes part in the book São Paulo em preto e branco pelo olhar de seus escritores, organized by Maria Aparecida Junqueira and Maria Rosa Duarte de Oliveira, released by Sesc and PUC SP. • His songs are recorded by: A Cor do Som, O dia de amanhã, by Dadi and Arnaldo: AfroReggae recorded Nenhum motivo explica a guerra, lyrics by Arnaldo. • Dadi records partnerships with Arnaldo: 2 perdidos, Da aurora até o luar, Cantado por você, Se assim quiser, Bandeira clara, Imaginado. • Juliana Diniz records Eu sonhei com você, by Arnaldo, Marisa Monte and Mauro Diniz; Porcas Borboletas recorded Eu, by Arnaldo Antunes and Enzo Banzo; Renato Godá records Música alta; Revista do Samba records Ela dança bem, by Arnaldo Antunes and Paulo Miklos. • Sandra Peres and Paulo Tatit record África, by Arnaldo Antunes, Paulo Tatit and Sandra Peres, and Olá, by Arnaldo and Sandra Peres.
|
|
|
|
|
|
|
|
|
|
|
|
|
• Sony/BMG relaunches NOME, a remixed and remasterized CD + DVD set, with restored images. As an addendum, the lyrics of the thirty poems in Portuguese, English and Spanish. Arnaldo Antunes first released this album in 1993 as a multi-media project composed of CD+ video + book. • Participates in an interview for the book Estación Brasil - Conversaciones con músicos brasileños by Violeta Weinschelbaum, of the Grupo Editorial Norma, Buenos Aires, Argentina. • In her albums Universo ao meu redor and Infinito particular, Marisa Monte releases her partnership with Arnaldo Antunes in the songs: A alma e a matéria, A primeira pedra, Aconteceu, Até parece, Cantinho escondido, Infinito particular, Levante, O bonde do dom, O rio, Quatro Paredes, Satisfeito,Universo ao meu redor and Vilarejo.
• Takes part in the exhibit The Image of Sound - Football, at the Culture Cup held at St. Elizabeth Kirche in Berlin, from June 15th to July 9th. • Takes part in the exhibit A imagem do som de Dorival Caymmi, at the Museu Afro Brasil, São Paulo, where 80 artists show their work inspired by Caymmi´s songs. • Performs his show SAIBA at the Culture Cup, in Berlin. • Launches the book Antologia de Arnaldo Antunes, published by Editora Quasi, in the cities of Porto, Lisbon and Coimbra. • Participates, together with other Brazilian, Portuguese and Spanish artists of the exhibit Entre la palabra y la Imagen, at Fundación Luis Seoane, in La Coruña, Spain, where he gives a poetry performance. • Some of his poems are included in the Antologia comentada da poesia brasileira do século 21 (Annotated anthology of the 21st century Brazilian poetry), by Manuel da Costa Pinto, Publifolha, São Paulo, Brasil. • Some of his lyrics are included in the book Curioso Clã, published by Relógio D'Água, Portugal. • Releases the album QUALQUER, recorded in 3 days, live, in studio, with Dadi Carvalho, Edgard Scandurra, Daniel Jobim, Cézar Mendes and Chico Salem. • Luiza Possi records Se no meio do que você está fazendo você pára, by Arnaldo Antunes and Nando Reis. • Gives a poetry performance at Psiu Poético, in Montes Claros, MG. • Reading of poems at the Reading with the Ears project, at the Centro Brasileiro Britânico, São Paulo. • Participates in Sempre um Papo, in Brasília, Curitiba and Itabira, MG.
• Takes part in the exhibit A Imagem do Som da Música Popular Brasileira, at the Paço Imperial, Rio de Janeiro, based on João Donato and Lysias Ênio's song Até quem sabe. • Releases the book Como é que Chama o Nome Disso - Antologia, published by Arthur Nestrovski, Publifolha. • Releases the book Frases do Tomé aos Três Anos, published by Alegoria. • Structures the poem Palavra Desordem on the glass walls of Clo Restaurante, in São Paulo.
|
|
|
|
|
|
|
|
